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Handel: A Musical Life of Devotion




A great gift to music entered the world on 23 February 1685 in Halle, Germany. A life of great musical interest, one filled with an unbelievable talent that would become a beacon to many throughout the European continent and span centuries past its lifetime. It is a life that would become centered around a great mystery of how the musical talent would blossom into a recognized and celebrated gift; a life that would alter the musical landscape and the spiritual worship realm in a short 24 days, and a life that would become so influential that it would dictate musical compositions for many years afterward.

A musical life that in the beginning would find itself struggling to exist; a life that will be forever known in George Frideric Handel. Through Handel, we credit many great musical accomplishments, accomplishments in the mixture of homophonic and polyphonic textures, through the creation of his own unique works through the process of combining German, Italian, French, and English musical traditions into his highly successful English Oratorios.

Most importantly, through the lasting effects of Handel’s single greatest gift to the world and the world of music: The Messiah. But how does the work of this single musician leave such a strong impression on the music that we have today? What could make the music of Handel something that would be hailed as electric, memorable, unique, and even cutting edge? And most importantly, how could one person alter the musical idiom through a single twenty-four-day creation of a setting of Christ’s life? Through these questions, I will explore Handel’s impact on music in a way that shed’s light on the significance of Handel as a musician, a teacher, an inventor, and a religious preserver. It is with Handel that we credit a great deal of musical advancement.

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Adversity in Handel’s life was something that he encountered early on in life. At an early age, Handel found himself faced with a father that did not support a career in music. In fact, his father was a person that greatly hated music, noting that it was a pastime that served the sole purpose of casting a light on the weakness of character found within a person. Instead, his father wished he would strive to obtain a career as a lawyer, a position that would come with a great deal of security in position and financial stability.

This was something that Handel himself would have to come to terms with because he himself was born with “signs of a fierce ambition, born of an awareness of his superiority as a musician, and with a determination to maintain his independence.” This determination to advance his musical skill became a task that took a great deal of hard work and convincing.

Though it was Handel’s mother that provided access to a clavichord hidden in the family’s attic, the hours spent hiding from his father in the attic, covering the strings of the clavichord with cloth to dampen the sound, allowed young George the time to practice his musical development and eventually the knowledge of how to play both the clavichord and the organ. This early study is most likely what saved the musical career for Handel because it was during the time stuck in the attic that a young Duke passing by heard young George playing in the attic and was so moved by what he heard that he stopped to listen. After hearing young George play the organ, the Duke pleaded with George’s father to allow him to travel to Berlin and begin to take music lessons.

The young Handel began taking lessons at the age of eight and was easily able to conquer learning the violin, composition and theory techniques, harpsichord, and reinforce the organ playing skills. But, unfortunately, by the age of 11, there seemed little that any music teacher could teach George.




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