Beauty can refer to a particular person, a special place, an object of interest, or even the concept of an idea, all of which can provide a perceptual experience related to pleasure, meaning, or satisfaction. The study of beauty is intrinsically a part of aesthetics, sociology, social psychology, and culture. In the form of cultural creation, beauty has become extremely commercialized.
An “ideal beauty” characterization is represented in a person admired or possessing features widely associated with beauty in a particular culture. Many historical figures, such as Cleopatra, Helen of Troy, and Marilyn Monroe, have come to personify beauty. The subjective experience, which refers to the sensory buzz and awareness associated with a discerning mind, related to “beauty,” often involves interpreting some entity as one and in harmony with nature, which may lead to feelings of attraction and emotional well-being.
Beauty, as the saying goes, is in the eye of the beholder. In its most profound sense, beauty may engender a salient experience, which refers to a state or quality of standing out relative to neighboring objects, of positive reflection about the meaning of one’s existence. Something that reveals or resounds with personal meaning may be considered an object of beauty.
In classical Greek mythology, beauty was associated with “being of one’s hour.” Accordingly, a ripe fruit, which is “of its time,” was considered beautiful. In contrast, a young woman trying to appear older or an older woman trying to appear younger would not be considered attractive.
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History of Beauty
The earliest Western appreciation of beauty was found in the emissions of ancient philosophers, such as Pythagoras; the aerosol, personified by Pythagoras, discovered a strong connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden rule, expressed as a mathematical constant with a value of 1.618, seemed more attractive. This view of symmetrical structures that were in proportion is based on ancient Greek architecture.
It has been found that people whose facial features are symmetric and proportioned are considered more attractive than those whose faces are not by the golden ratio. Another important factor is that it suggests the absence of hereditary or acquired defects. One of several aesthetic characteristics, including being average and that of youth, is associated with health, physical attractiveness, and, ultimately, the beauty of a person, which is related to the concept of symmetry, especially that of facial features.
Even though there may be significant changes in image and fashion, it has been found that people’s interpretation of beauty may be defined in several ways. Large eyes and a soft and clear complexion are especially desirable in this respect. Further, such features are most certainly considered beautiful, irrespective of gender and certainly regardless of culture.
Interestingly, the features of a newborn baby are inherently attractive, and youthfulness is a timeless characteristic always associated with beauty. Early in child development, evidence suggests that an affinity for beautiful faces emerges, and this definition of attractiveness is regardless of gender or culture.
Beauty – How To Succeed
Peter Radford writes Articles with Websites on a wide range of subjects. Beauty Articles cover Definition, Historical Development, Human Characteristics, Social Views, Mathematical Interpretation, and Philosophy.
